7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
183
XSend To...
XSend To...
The XSend To... function allows you to transfer clips, Containers and Sequences quickly and directly from
Avid Liquid to QuickTime-compatible applications such as Commotion 4.1 and Adobe AfterEffects for
further processing or to an encoding application such as MediaStream for streaming.
Avid Liquid currently features predefined interfaces to Adobe AfterEffects, Terran Media Cleaner, Win-
dows Media and QuickTime. You can also use XSend To... to connect “plug-in” applications and enhance
the functionality. In the current version, this has already been implemented for Adobe AfterEffects. An
SDK is available on request from Avid Technology, Inc.
Objects permitted for the XSend To... function page 183
Calling XSend To... page 184
XSend To... options page 187
Objects permitted for the XSend To... function
With XSend To..., you can send single clips (both from the Project and from the Timeline), multiple clips,
a complete Sequence, and Containers to an application. Tra n s it i o n s (such as Dissolves and Cross Fades)
and clip effects are not considered to be objects. Optionally, however, you can use the Fuse function to
transfer a particular effect (i.e., as a rendered Media File).