7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
184
Chapter 7 Exchange
Calling XSend To...
You will find this function in the shortcut menu for clips and Sequences in the Project and in the shortcut
menu for clips on the Timeline. If you have selected multiple clips, you can call XSend To... from the
shortcut menu for any of the clips selected. From the submenu displayed, you can then select the applica-
tion to which you want to send the material. If you wish to transfer a Sequence, go to the Project window
and call the function from the shortcut menu for this Sequence.
Calling XSend/XReceive via the Keyboard
You can also call the individual XReceive and XSend modules via the keyboard. To find this option, select
Edit > Control Panel > User > Keyboard. On the upper left, select Global Shortcuts and Global Shortcuts
active (checkmark visible), and then select the Desktop option in the upper right. The entries XSend 1 to
6 and XReceive1 to 6 appear below in the same order as they appear in the XReceive and XSend menus;
for example, XSend1 = QuickTime Player, XSend2 = AfterEffects if these are the first and second lines in
the XSend menu.
The one exception is XReceive: The series starts below
the Use existing XReceive.INI option - for example,
as of Sony XDCAM.
Note: Extended XReceive options are components of
Avid Liquid
’s Broadcast option.