7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
213
OMFI Export
Media
The Media area of the dialog box contains settings that affect the form and format of the media data that
is to be included in the composition:
Export with Media Files
This option is by default activated. You can use the drop-down menu to specify the file type to be
exported (video, audio, audio and video (default setting)). During an actual export, the affected files are
converted to an OMF file.
Consolidate media
This option is activated by default and ensures that the clips in a Sequence are transferred to the OMF for-
mat precisely
in terms of their length. With a Handle Length of 0 (default setting), the resulting OMF
clips cannot be trimmed beyond the mark-in or mark-out point. If a little trim leeway should remain,
enter a specific handle length; if full access to the original Media Files is required, deactivate the function.
This can, however, result in very extensive OMF files.
Video Format
This setting is important when you export video files. Select the desired compression rate. The approxi-
mate storage required is displayed next to the box.
Audio Format
This area defines the audio file format and sample rate within the OMF format. The Audio Format menu
offers the following options:
WAV - generates WAV files (default setting)
AIFF - generates AIFF files
The Sample Rate menu offers the following options:
44.1 kHz (default setting)
48 kHz.