7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
224
Chapter 8 Administration
Working with the Project Window
The Project window behaves like any other Windows window with one exception: You can never close it
because at least one Project must always be open. You can, however:
Minimize it. It then becomes an icon in the taskbar, allowing you to clear a space on your desk-
top;
Maximize it. The window then fills all the space available on the desktop (depending on the desk-
top layout selected; see “Desktop Views” on page 46);
Resize it by dragging the window border.
Drag the vertical bar between the content and Rack/folder areas. If more contents exist than can
be displayed at one time, a vertical and/or horizontal scrollbar appears.
What Are Rack Folders and Racks?
Rack Folders and Racks provide you with a clearer overview, particularly in the case of extensive Projects.
Take another look at the Project window shown at the beginning of this section.
Racks are combined in Rack Folders, which cannot themselves contain individual objects.
Objects are combined in Racks.
The sample Project (“Project window (Sample)” on page 223) contains the “Audio” Folder in which the
“Au d i o 1 ” a n d “Au d i o 2 ” Racks have been stored.
With some features, the “active” (or current, selected, clicked...) Rack is of importance. Newly created
clips, for instance, may be placed in the active Rack. It is, however, possible to have more than one active
Rack.
In such a case, the active Rack is the one selected and visible (tab in front) in the Project window. If you
use the Project Browser, the selected and visible Rack in the Browser is “active”. If both Project window
and Project Browser are visible with selected Racks, the Rack in the Project window has priority.
If the system can not access an active Rack, a new one will be created under the name Imported Media
Files.
See also “The Project Browser” on page 230.