7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
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Chapter 8 Administration
RGB Color Model
It is also possible, however, to use three bars for quantitatively displaying a hue. These bars (one red, one
g
reen, one blue) can be seen in Avid Liquid Color Correction. A color appears to be composed of different
percentages (bar lengths) of the three basic colors RGB, apart from the pure basic colors themselves.
RGB is generally specified in values from 0 to 255. Example: (0,255,0) is pure green; (0,0,0) is black; (255,
255,255) is white. Computer monitors and TV screens generate colors from “packages” of red, green and
blue dots illuminated at different intensities.
Playback Level
Here you can set the volume level for an audio clip for playback (Timeline and/or Source/Clip Viewer).
For more information on this function, see: “Au di o Tab” on page 138.
Scenes Tab
See “Automatic Scene Detection (Clip Viewer)” on page 322.
Object Information: Properties
This dialog box contains detailed, object-specific information on, for example, the name of the Media
File, file size, length, date last changed and where it is located.
The FX Properties provide additional information on objects to which video or audio effects have been
applied.
Opening the object Properties box page 295
Customizing the object Properties box page 296
General elements of the object Properties box page 296
Æ Edit properties of multiple clips simultaneously page 298
FX Properties page 299
Properties of a signal clip page 172
Setting the volume, waveform and level