7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
316
Chapter 8 Administration
Consolidate and the Consequences
After Consolidate has been successfully applied, the number of new Media Files contained in the Project
Media Directory can be no more than the number of clips contained in the consolidated Sequence (a sin-
gle consolidated clip results in up to five Media Files, one video file and up to four audio files).
Avid Liquid Media Management then ensures that the clips reference these new Media Files, i.e. you can
play them immediately in the Clip Viewer and on the Timeline. See also “Media Management” on page
326.
Consequently, you can now delete any “old” Media Files that are no longer needed. In order to avoid
undesired consequences, we strongly recommend the following method to delete Media Files:
1 In the shortcut menu for the consolidated Sequence/clip(s), click Tag u s ed me d i a .
Media Management now determines how many clips access the same Media File.
2 Open the Media tab in the Project window and under Streamed media, select the Project in which
the Consolidate operation was executed.
All the Streamed Media Files are now displayed.
3 The result of the Tag used m edi a command appear in the Tags column as a number from 0 to...,
depending on how many clips reference the same Media File.
4 Sort the Tag s column by clicking the column heading (or using the shortcut menu) so that all
zero (0) Tags are together.
“Zero” means that the Media File is not used by any clip.
5 Select the 0 Tags and then click Delete in the shortcut menu.
When you delete Media Files from the Media tab, the files are deleted immediately and permanently
without your being asked to confirm the deletion.