7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
337
Media Management
Avid Liquid
(incl. Pro)
Capture (native) -
DV [avi], DV [dif], DVCPro 25 [avi/dif], MPEG2 IPB, HD MPEG (HDV)
Capture (via Encoder) -
DV [avi], DV [dif], DVCPro 25 [avi/dif], MPEG2 IPB, Uncompressed
Realtime playback (Timeline) -
DV [avi], DV [dif], DVCPro 25/50, MPEG 2 IPB, MPEG 2 I-Frame, MPEG 2 IMX, HD MPEG I-
Frame, HD MPEG IPB, Uncompressed, HD Uncompressed
Render -
DV [avi], DV [dif],DVCPro 25/50, MPEG 2 I-Frame, MPEG 2 IMX (opt.), Uncompressed, HD
Uncompressed
Fuse -
DV [avi], DV [dif], DVCPro 25/50, MPEG 2 IPB, MPEG 2 IMX (opt.), HD MPEG I-Frame, HD
MPEG IPB, Uncompressed, HD Uncompressed
Avid Liquid Blue
Capture (native) -
DV [avi], DV [dif], DVCPro 25 [avi/dif], MPEG2 I-Frame, MPEG 2 IMX, DVC Pro 50
Capture (via encoder) -
DV [avi], DV [dif], DVCPro 25 [avi/dif], MPEG 2 IPB, MPEG 2 I-Frame, MPEG 2 IMX, DVC
Pro 50, Uncompressed
Realtime playback (Timeline) -
DV [avi], DV [dif], DVCPro 25/50, MPEG 2 IPB, MPEG 2 I-Frame, MPEG 2 IMX, DVC Pro 50,
Uncompressed
Render -
DV [avi], DV [dif], DVCPro 25/50, MPEG 2 I-Frame, MPEG 2 IMX (opt.), Uncompressed, DVC
Pro 50
Fuse -
DV [avi], DV [dif], DVCPro 25/50, MPEG 2 IPB, MPEG 2 IMX (opt.), MPEG I-Frame, Uncom-
pressed, DVC Pro 50
Dynamic Availability
The list under Codec Presets (Edit > Control Panel > Site > etc.) is a complete listing of all codecs known
in Avid Liquid, and may also include codecs that can be purchased optionally. This does not mean that
all these codecs are available in every product or module. The list of available codecs is dynamically com-
piled and made available for selection based on the module, Timeline Format and input signal.