7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
349
Media Management
Import Drive column -
(Right next to the Primary Volume column) Important in networked systems where the Media
Management is centrally administered. Add the network file path and put the X in front of that
list entry (right-click). Thus the centralized Media Management can keep track of locally import
objects.
Access Rights column -
You can assign the Wr ite or Read attribute (right-click to open the shortcut menu) in order to
protect specific directories.
Important: This does not apply on the operating system level, i.e. it does not prevent accesses by
another users.
Vol u m e s to w h i ch t h e Read attribute has been assigned are not included in a volume change.
Write access includes Read access.
Rearrange -
You can move the entries using the two arrows to the right of the list box. Click an entry and then
click one of the arrows until the entry is in the desired position.
If you wish to create a new directory, select File > New > Folder in the Windows Explorer (refer to the
Windows manual).
What Happens When You Create a New Media Directory?
When you click Add to create a new media directory, the following occurs (based on an example):
1 You want to create the directory “NewVolume” on drive Q: Click Add, go to Q: and enter the
name.
2 Q:\NewVolume now appears in the list of directories. A directory of the same name is created on
the hard disk and:
3 Media Management automatically creates two subdirectories: Reels and a directory that identifies
your computer in the network.
Media files are stored in subdirectories of the Reels directory ( page 338).