7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
362
Chapter 8 Administration
Restoring Deleted Objects, Media Files and Render Files
A number of options are available for retrieving “deleted” objects, files and statuses. Sometimes, how-
ever, certain manipulations are required and sometimes it cannot be done. The following is an overview
of emergency and preventive measures:
Object (Clip) Deleted - Media File Found
A clip can easily be created from a Media File:
1 Identify the Media File on the Media tab in the Project window, for example based on the Reel
name, or switch to Picon View.
2 Then call the Create clip(s) from Media File(s) function from the Media File shortcut menu.
page 344
Media File Deleted - Object (Clip) Found
If the object is a logged object, you can quickly re-digitize it by means of a Batch Digitize operation (pro-
vided that the original material is still present). See “Batch Digitize (Batch Capture)” on page 305.
In the case of imported Media Files, a copy may still exist (for example, in the network). If the file is still
located in the original storage location, Media Management will find it automatically.
Media File and Object (Clip) Deleted
In such a case there is little hope. Perhaps you can access the object via a working version you saved at an
earlier point in time (see also Earlier Versions on page 363).
Render File Deleted - Effect Found
This is simple. Avid Liquid re-renders the effect when, for example, the relevant Sequence must be played.
Render File and Effect Deleted
Standard effects can be applied once again at the appropriate positions. Avid Liquid re-renders the effect
when, for example, the relevant Sequence must be played.
Customized effects must be recreated. It is recommended that you save labor-intensive effects in a Rack.
See also “Saving Individually Created Effects” on page 549.