7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
385
Video Editing
The shortcut menu for a Subtrack also contains the Expand/Collapse Level functions. When you
collapse (raise) the Subtrack level, the Subtrack is shifted onto the same hierarchical level as the
Subtrack immediately above it. In the screenshot above, this is illustrated by Subtracks 6 to 9.
Objects on different Subtracks are independent of one another. For example, if you move an
object to the “master” track while its Subtracks are collapsed, it will no longer be synchronous
with the objects on the Subtracks.
To avoid undesirable consequences when objects are unintentionally moved, work with linked objects.
See also “Item Link” on page 450.
Yo u c a n a l s o a c t i v a t e t h e SyncLock function (for FilmStyle). See also “Sync Lock” on page 448.
Tr e a t Subtracks and the objects they contain just as you would normal Tr a c k s and objects.
But also note: When you delete a (sub)track to which other Subtracks are attached, these subordi-
nate Subtracks are also deleted.
Collapse / Expand Level and Tracks
See previous section.
Rename
Click Rename to rename a Tr ac k . In the edit dialog box that appears, enter a name of up to 31 characters.
The default names given to Tra c ks are Name 1, Name 2, etc.
Track names help you maintain an overview of the various Tra c k s on the Timeline, but have no effect on a
Tr a c k’s functions - every Tr ac k on the Timeline has the same functions. Only activating video or audio
playback influences a Tr a c k’s functions. “Video Playback” on page 377 and “Au di o P l ay b a c k” on page
377.
Activate and deactivate all others
This function lets you save a few steps when you just want to activate a single Tr a c k . All other tracks are
deactivated.
View
See “View” on page 378.
Text Info
See “Text” on page 380.
Track Height
See “Track Height” on page 381.
Protected
See “Protect All” on page 382.
Active
See “Activate all / Deactivate all” on page 381.