7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
390
Chapter 9 Edit
Edit Styles
Avid Liquid’s two Edit Styles determine how objects are inserted on the Timeline, regardless of whether
you use a mouse (drag&drop) or the Insert Arrow and Source Viewer:
Overwrite Style
Objects that are inserted overwrite any objects or gaps on the particular Tr a c k . page 391
Film Style
As at the film cutting table, here the material at the insertion point is “cut” and the clip is inserted
between the “two parts”. Subsequent objects and gaps are shifted accordingly. page 392
When insertion is by drag&drop ( page 424), the Source Track Mappings are not used. See “Source Track
Mapping” on page 387.
For Upgraders: Studio Style
A third Edit Style was integrated for former Pinnacle Studio users: Studio Style. The toolbutton is the
same as for Overwrite Style described below, except that the center square is blue.
In Studio Style, clips on the Timeline are inserted and deleted just as they are in Studio. It is highly recom-
mended that you not combine the other Edit Styles with Studio Style. The Studio Style is recommended
for beginners who want to put together a film quickly, using the same familiar methods. However, only
the Overwrite and Film Styles allow you to enjoy the full range of editing options offered by Avid Liquid.