7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
411
Video Editing
Loading Sequences to the Master Viewer/Timeline
There are three ways to load Sequences to the Master Viewer (and thus onto the Timeline):
You can double-click them in the Project window,
use the Send To... option in the shortcut menu
or drag them to the Master Viewer’s inlay.
When you transfer several Sequences to the Master Viewer (from the desktop or a Rack), they appear in
the Sequence List in their original order. The Sequence List is used for selecting Sequences.
Sequence List
The last 20 Sequences you loaded into the Master Viewer or created
(see also New Sequence on page 414) appear in the Sequence List. The
Sequence last loaded appears at the top of the list. By selecting a
Sequence in the Sequence List, you can load Sequences onto the Time-
line and into the Master Viewer. Other functions available in the short-
cut menu:
Most recent always top/bottom -
Ensures that the last Sequence you edited will appear at the top or
bottom of the list.
Sort by name/Unsorted -
Sorts the list alphabetically or leaves it just as it is (e.g. in the order in which the Sequences were
loaded in the Master Viewer).
Remember there is a difference between loading a Sequence in the Master Viewer and dragging one from
the Project window to the Timeline or into the Source Viewer. For more information, see “Nesting
Sequences (Building a Container)” on page 482.
Dragging Sequences from the Master Viewer
Yo u c a n a l s o d r a g Sequences from the Master Viewer to the desktop, Racks or Source Viewer. To do so,
CTRL+drag the Sequence. Dragging a Sequence to the Timeline results in the creation of a Container
( page 482).
Sequence List