7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
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Video Editing
Opening the Trim Editor/Basics
To open the Trim Editor, click the Open Trim Editor button on the Timeline’s toolbar (or F5).
The Playline automatically moves to the closest edit on an active Tr a c k . This edit and also edits on other
active Tr a c k s at the exact same timecode position are activated for trimming. Furthermore, yellow han-
dles appear in the mark-in and mark-out areas to be trimmed on the Timeline.
Note that the waveform display of audio clips slightly impairs the performance.
Trim operations in the Trim Editor are always in Film Style.
When displaying clips, the Trim Editor ignores realtime effects that were applied to the clips to be
trimmed. The inlays show the original video. We recommend that you first trim the clips precisely and
then apply the effects.
Elements of the Trim Editor
The following are the most important functions and elements of the Tr im Editor :
Previewing the Edit
In Preview mode, the video inlay plays an Edit in a continuous loop. You can use Preview Range in the
shortcut menu to enter a duration. page 447
Inlays
The Trim Editor consists of the left and right video inlay. The left inlay shows the mark-out of the outgo-
ing clip; the right inlay, the mark-in of the incoming clip.
Timecode Displays below Inlay
The two timecode indicators below the video inlays show the current shift in the mark-in/mark-out since
the edit point was selected. This indicator is reset to 00:00:00:00 with every new edit. For example, if you
shortened the outgoing clip by 15 frames, - 00:00:00:15 appears in the timecode indicator.
Timecode Displays above Inlay
The three timecode indicators above the video inlays provide the following information (from left to
right):
current duration of outgoing clip
timecode of editing point on the Timeline (master TC)
current duration of the incoming clip