7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
442
Chapter 9 Edit
Protected and Inactive Tracks
Protected Tr a c k s and inactive Tra c k s are handled differently during trimming (see also Trimming with the
Trim Editor on page 464):
If all Tr a c k s are protected or edit-inactive, no edit is available. The Playline remains at its current
position when you open the Trim Editor.
If more than one Tra c k is edit-active, when you open the Tr im Editor the Playline moves to the
next edit and deactivates all other Tra c k s for the current trim.
If you open the Trim Editor, then switch an edit-inactive Tr ac k to edit-active, the closest edit on
that Track is selected for trimming. The other Tra c k s are set edit-inactive.
Selecting a Trim Mode
When the Trim Editor is opened it is initially in Trim Both mode. Two other modes are also available:
Trim Outgoing Clip and Tr im Incoming Clip.
In the Trim Editor window, a bar below the inlays shows which of the clips is activated for trimming. In
the default setting (Trim B oth) a bar appears under both inlays.
Trim B oth means that both the mark-out of the outgoing clip and the mark-in of the incoming
clip are trimmed. This is also indicated by the yellow handles in the mark-in and mark-out areas
of the clips.
To select one of the three trim modes:
Trim Outgoing Clip: Click the outgoing clip in the left video inlay.
Trim Incoming Clip: Click the incoming clip in the right video inlay.
Trim B oth : Click the area between the video inlays to select both the outgoing and incoming clips.
You can also activate the trimming points on the Timeline by clicking a mark-in or mark-out point.
Handle