7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
483
Special Functions
Build Container
Yo u c a n u s e t h e Build Container function to combine a specific segment of a Sequence (or a complete
Sequence) into a container from within the Timeline. This function can be activated via the toolbar short-
cut menu or the function icon shown here; it may be necessary to copy the latter from the function
library to the Toolbar.
Define the area to be included in the Container:
horizontally through the use of mark-in and mark-out points
vertically by activating or deactivating Timeline Tracks. Only objects on activated Tr a c k s are
included in the Container.
Make sure that there are no inactive Tr a c k s located between the active Tra c k s . If there are, no Container
will be built.
Reason: Container building can change the priority of the Timeline Tr ac k s . This is because the Container
is always stored above
the Tr a c k s it serves to combine. If you exclude one or more Tr a c k s (because they
are deactivated), the Container that was built can now contain clips that are located above
the Tra c k that
was excluded. This means that those clips that were previously located below the clips of the excluded
Tr a c k (i.e. that had a lower priority) would be located above
them and could result in unexpected effects
for multilayering. (See also “Track Priority” on page 386.)
Afterwards, click on Build Container. This function inserts a clip of the corresponding length into the
next-higher Timeline Track that is available.