7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
490
Chapter 9 Edit
Inlay Quality Menu / Inlay Size
This function lets you change the size and display quality of the video inlays in Avid Liquid.
Important: These options apply only to the inlay display (preview), not to rendering or output to tape.
Click the button to open the selection menu.
High/Low Resolution
When set to Low, the image appears a little flatter or softer but the comb artifacts caused by video inter-
lacing and often visible with the High Quality setting are eliminated.
The Low option reduces the image resolution to quarter size and enables field-doubling. Therefore the
usual flickering display of a still image on a video monitor is suppressed.
The button shown provides direct access to the level of quality.
If your system has an analog video monitor output, the Quality setting does not show on the monitor.
Video output: Select Edit > Control Panel > Site > System Settings > Inputs/Outputs > Video Outputs.
Based on the connected hardware, select the Quarter Resolution option. This will reduce USB interface
utilization; however, the image will not be quite as sharp (should not be used for recording the master).
Both Fields/1st/2nd Field
- This option has no effect on progressive video formats because there are no fields. -
This option lets you select the still display.
A video frame comprises two fields whose lines alternate in an interlaced pattern. This technology per-
mits de facto 50 (PAL) or 60 (NTSC) frames per second, which reduces the flickering of a TV image (it
has no impact on the computer monitor inlay).
A still that has two very different fields (for example, from a scene with a great deal of movement) may
appear blurred or flicker if both fields are displayed.
This option may be inaccessible depending on product and/or hardware setup.