7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
503
Special Functions
Tips and Variations
Whenever you move the Multicam clip on the Timeline or insert another clip, it is necessary to
resynchronize the Source Viewer and Timeline.
First select Match Frame and then reactivate ganging. The button must be highlighted in yellow.
A good way to check synchronization is to compare the Source timecode and the Source Viewer
timecode: If synchronization is correct, they will be identical (see Source Timecode, page 380).
When the Timeline and Source Viewer are linked,
- Playing the Timeline serves to play Timeline audio (Source Viewer mute);
- Playing the Source Viewer serves to play both
Source Viewer and Timeline audio. Naturally, you
can also disable Source Viewer audio if you find the combined playing irritating.
The Trim Editor is ideal for precisely trimming a Multicam Sequence. With it you can easily jump
from edit to edit and optimize the transitions.
Pay attention to synchronicity with the audio: The relationship between image and sound
changes in the Slip Clip, Tr im Outgoing and Tr im Incoming trim modes. Trim both has no effect on
synchronicity.
If you want to completely replace a camera clip on the Timeline, right-click the clip to open the
shortcut menu and select Switch to camera: Camera X.