7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
506
Chapter 9 Edit
Synchronizing with the TC Shift Command (in the Logging
Tool)
The TC Shift command lets you add or subtract a value from a tape’s actual TC so that you can record
clips with the desired timecode.
If activated ([Edit > Control Panel > User >] Logging Tool > Properties > General > Activate TC Shift
mode), TC Shift appears as a TC input field in the Change Reel dialog box.
The Change Reel dialog box opens every time you change a tape.
1 Select one tape as a reference tape; the other tapes will be adapted to its timecode.
2 Based on a sync point (clapper, flash, sound, etc.), determine the extent to which the other tapes
deviate from the reference tape. Note the values to the exact frame (such as 00:00:06:12) and note
whether they run ahead or behind.
3 Capture the reference tape without a timecode shift as Camera1 as described above (“Multica-
mera Capture in the Logging Tool” on page 504).
4 Capture the remaining tapes using the TC shift calculated for each and as Camera 2, Camera 3,
etc. Enter the shift with a plus or minus sign, as appropriate.
Synchronizing by entering a TC shift
5 All your clips should now have a synchronous timecode. You can easily verify this at the sync
point.