7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
518
Chapter 10 Finish
“Track Effects”
You can apply a clip effect to an entire Timeline Tra c k (in other words, to all the clips on this Tr a c k ). To do
so, drag the effect to the Tra c k’s name field. A colored line appears. As a result you can, for example,
change all the video clips on a Tra c k to black and white, reduce their size - or both, because you can also
apply multiple effects.
Because this type of Tr a c k effect does not apply to individual clips, you will not be able to provide the
effect with Key Frames.
Activating/Deactivating Effect Parameters
You can activate or deactivate the effect parameters and clip
attributes. The FX Properties dialog box provides information on
and access to the effects applied to an object. Open the FX Proper-
ties dialog box from the clip’s shortcut menu.
The Effect Editors are listed below
the horizontal line and the
Attributes are listed above
it. Right-click an effect to open its
shortcut menu and select Edit to access the Effect Editor.
To activate or deactivate effect parameters and Attributes,
click the appropriate checkboxes. The effects are not
deleted; they are simply not applied
. This allows you, for
example, to prevent rendering.
Double-click an entry to open the Effect Editor or Clip
Viewer.
You can change the order in which the effects are rendered. To do so, select an effect and click the
Arrow buttons to move it to the required position.
To remove an effect from the list, select it and then click the Tr a sh .
Deleting and Removing Effects
Tra n s i t i o n s - Click the Tr a n s i t i o n and press DEL or right-click the Tra n s it i on and select the Delete
function from the shortcut menu.
Clip effects - If you want to remove an effect from a clip, open the shortcut menu by right-clicking
either the colored line or the effect icon (see also Effect Icon on a Timeline Clip on page 519) or via
the clip’s FX properties. (See also “FX Properties” on page 437.)
FX Properties: Activating and deac-
tivating