7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
595
Detailed Description of Classic Effect Editors
Selecting a Color Area in the Color Wheel
The mouse pointer turns into a cross when it is in the color wheel. Drag the mouse pointer in the color
wheel to create a frame of any shape in it. After you release the mouse button, the area enclosed by the
line is then the selected color area. The following options are also available:
Increase/add area:
SHIFT+drag the cursor to define more than one area or increase the size of an existing area. A
plus sign appears next to the mouse pointer. Simply encircle the area to be included keeping the
mouse button pressed.
Reduce area:
If you press
ALT, a minus sign appears next to the mouse pointer. To cut out one or several areas
within a color selection, simply encircle the area to be deleted keeping the mouse button pressed.
Select subset:
With the
ALT and SHIFT keys pressed, you can specify the overlap of two intersecting areas.
Delete selection:
Double-click the color wheel to delete a color selection, or simply define a new area.
The current color (at the mouse pointer) appears in numeric format as an RGB (red-green-blue) and
HLS (Hue-Lightness-Saturation) value below the color wheel.
Luminance Range
The vertical line on the left of the spectrum is used for setting the luminance key. Values in the range of
the white sliders are in the key range; those outside the range of the black sliders are outside of the key
range. The areas between the white and black sliders represent transitional areas. The closer the sliders
are together, the narrower the luminance area that will be keyed.
A double-click on or close to the vertical line resets the sliders to their initial positions.
Softness
Use Softness to create a soft transition between key and foreground.
Spill Suppression
Use Spill Suppression to desaturate and thus make less visible any existing color values of the key color,
especially at the edges of the foreground.