7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
725
Description of all AFX PlugIn Effects
Acid Bath -
is the smoothest and most gradual Grunge effect. It has a blurrier, graduated look, like chemical
damage:
Acid Bath
Grunge Amount -
controls the intensity of the Grunge effect. Higher numbers return more Grunge.
The slider goes only to 1.0, but you can set higher values: click the Grunge value and then enter a
new one. You may need to use a high setting to completely obliterate large film-res areas. The
time needed to calculate a frame goes up dramatically with high Grunge Amount settings.
Grunge Smoothing -
blurs the result of the Grunge effect, smoothing out some of the detail. Smoothing can be very
important when animating grunged layers.
Mosaic
Mosaic samples the pixel values of a clip and fills the clip with solid color rectangles. It is often used for
obscuring faces in television news programs and for simulating low-resolution CRT displays.
Channels -
designates the channel(s) to be affected by the Mosaic effect.
Link Vertical -
links the vertical mosaic amount to the horizontal value.
Horizontal Blocks -
specifies the number of divisions horizontally.
Ve r t i c a l Blo c k s -
specifies the number of divisions along the vertical axis. The color of each block is the average of
all the colors located in the region determined by the Horizontal Blocks and Ve r t i c al Bl o ck s values.
Sharp Colors -
gives each block the color of the pixel located at its center in the original, unaffected clip.