7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
735
Color Correction Editor
Color Correction Editor
The Avid Liquid Color Correction Editor provides primary and secondary color correction functions,
including the necessary diagnostic tools (such as the Waveform Monitor and Vectorscope).
The first part of this section will provide you with an overview of the editor’s elements and functions.
The second part contains a brief discussion of color theory, which you can skip if you’re already familiar
with color correction. The third part provides you with a detailed description of all the parameters of the
primary and secondary correction modules along with several examples.
Tip: If you read this chapter in the online PDF file, you’ll be able to view all the illustrations in color,
which is very helpful for this particular subject.
Primary color corrections are displayed in real time (with
Avid Liquid
, as a GPU-based effect; with
Avid Liquid Blue
, via the hardware). Secondary color corrections are rendered.
Color Correction Editor (Overview) page 736
What is color? page 741
Practical tips for using color correction page 744
Working with the Vector, Cube and Waveform Displays page 747
Introduction to the interpretation of the most important diagnostic displays
Diagnostic displays page 754
Tools page 761
Legalizer, channel selection and saved settings
Primary Color Correction page 762
Six Vector Color Correction page 774
Selective Color Correction page 775