7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
754
Chapter 13 Special FX
Diagnostic Displays (Overview)
Avid Liquid Color Correction provides various diagnostic displays for assessing and analyzing video sig-
nals. You can select them from the top left-hand list box (above the Diagnostic Display area), or by click-
ing their respective buttons.
Vector Display
The Vec t o r D i s pl ay allows you to analyze, control and adjust the color components in a video signal.
It is called automatically when you activate the Hue-Saturation button (see figure).
Vector Display with mouse pointer
The abbreviations R (red), Mg (magenta), B (blue), Cy (cyan), G (green) and Yl (yellow) stand
for the color signal locuses. The circular degree scale (0 to 359° with 0° at “three o’clock”) indi-
cates the color angle.
The C
b
axis runs horizontally and the C
r
axis runs vertically.
The square formed by the dotted line encloses the range of 75 % color range (see also Legalizer on
page 761).
The permissible range as defined by CCIR Standard 601 is specified by the dimensions of the
axes (see also Legalizer on page 761).
Single-clicking the segmented rectangle in the bottom right-hand corner instantly takes you to
the Ve c t o r l i g ht D i s p lay.