7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
776
Chapter 13 Special FX
Defining Vectors - Selective Color (A)
Initially no Ve c to r s are defined.
1 Load the clip you want to edit in the Color Correction Editor.
2 Click the Add Selective Color button in the Selective Color area to activate the Pipette (Eyedrop-
per).
3 Determine the color area in the correction clip as precisely as possible by also using the Zoom
( page 738).
- Single-click to define a 3x3 pixel area around the Pipette position.
- Drag the mouse pointer to define an area of a selected size (rectangular).
- Hold down the CTRL key during either of the two procedures above to add other areas.
4 The selected color (i.e., the Vec to r ) appears in the two color fields to the right of the color wheel.
The lower field will later display the modified color.
In the color wheel itself, a small circle indicates the center of the color currently selected.
5 If necessary, repeat steps 2 and 3.
You can define up to 15 Vec t or s .
6 To toggle between selected Ve c to r s , click either the arrow buttons above the color wheel or the
small circles within the color wheel.
7 To delete selected Vec to r s , select them as described in step 6 and click the Tra s h icon.
You can also use the Pipette to determine the target color (target Ve c t o r ). To do so, use a Reference Source
( page 763).