7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
826
Chapter 14 Audio
The Audio Mixer
As a virtual mixing console, the Mixer is the core of the Audio Editor. You can use it to operate any num-
ber of fader units, each of which is responsible for one Timeline Track. You can also use it as an eight- or
twelve-channel mixer, as appropriate: In this case, each fader unit and its associated Timeline Track rep-
resents one “audio channel”.
Plugin audio effects (up to 16 per fader unit) are integrated here. The Mixer lets you precisely define vol-
ume and panning/balance for entire Tra c k s or individual clips. Send Busses (in the figure above, Send
FX1) for controlling separate audio effects are located to the right of the standard fader units, which are
highlighted in the software with different colors.
Each standard fader unit has the following functions described below.
In the default configuration (e.g. following initial installation of the software), only the most important
fader sections are visible. You can activate all the other sections described below on the Settings tab of the
Audio Editor.
The settings in the Audio Editor (such as active Fader segments and SendFX Busses) apply to the current
Sequence. If you create a new Sequence, the default settings are applied. If you open an existing Sequence,
you work with the existing Audio Editor settings for this Sequence.
Overview of the signal path page 826
Assigning timeline tracks (list box) page 828
Standard fader functions page 828
Æ
Send bus faders page 834
Special faders for effect editing
Faders for logical output busses page 834
As of Version 6.0, the Audio Editor is no longer subject to clip limitations. Previously, for example, you
could raise or lower the volume of clips, but not of entire Timeline Tracks. An individual setting is now
available for this purpose.
Overview of the Signal Path
The figure below presents an example of the audio signal path of a Timeline stereo audio clip through the
Audio Editor to the output. One Send Bus is displayed in addition to the Fader Unit. The peak meters in
the Audio Mixer follow their respective faders
in the signal path.