7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
895
Audio Postproduction and Audio Effects
Reverb
This effect determines sound character by simulating the rooms in which tones/sounds/noises are cre-
ated and perceived. The reflection of soundwaves (commonly referred to as echo) plays an important
part. The size of the room and the nature of the reflecting surfaces create differences in the direct percep-
tion of the sound source and in the delayed perception altered by reflection.
A number of room simulations are available.
The following parameters allow you to configure individual acoustic spaces (Tip: Start with a similar
preset):
Initial Delay -
This parameter determines the starting time for the first “early reflection”, i.e. how the sound is
reflected off the walls in the simulated room. Values range from 0 to 500 milliseconds. The lower
the value, the earlier this initial reflection is audible.
Room Size -
This setting determines the “size” of the simulated room and, therefore, the depth of the rever-
beration. Values range from 1 to 30. The higher the specified value, the larger the simulated rever-
beration space.
Damping -
This parameter serves to attenuate the high frequencies in the reverberation in order to generate a
softer, warmer sound. The higher the value, the more the high frequencies are attenuated.
Duration -
This parameter determines the duration of the reverb effect.
Mix -
This parameter defines the ratio of the effect signal to the original unedited audio signal. When
the slider is set to the center position (default), the ratio is balanced. When moved all the way to
the left, only the original signal is audible.
Equalizer
This is a ten-band equalizer for determining the sound characteristic. It allows you to emphasize or sup-
press specific frequency ranges. Values range from -24 to +24 dB.
A number of standard scenarios are available in a list. Selecting Flat sets all the bands to zero.