7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
896
Chapter 14 Audio
StereoEcho
StereoEcho is a delay effect with separate settings for the left and right channels. It can also be configured
as a single mono delay, in which case the maximum delay time will be doubled.
Delay 1 (2) -
The delay time for the left channel. The maximum delay time is 1486 ms, unless you link the two
channels and apply the effect to the mono channel. In this case, the maximum delay time is 2972
ms (1000 ms = 1 second).
Feedback 1 (2) -
This parameter determines the amount of the delayed signal to be routed back to the Delay 1
block in order to generate repetitions there. The higher the value, the more often the echo is
repeated.
Link 1,2 (off, linked) -
Select “off” if you want Delay 1 and Delay 2 to be treated as independent units. Select “linked” to
link the Delay1 output to the Delay2 input.
Del2 Bal -
This parameter determines how much of the left-channel output is routed to the right-channel
input. When set to “0.0” (far left), no signal is forwarded from the left-channel output to the
right-channel input. When set to “0.0” (far right), the right-channel input receives both its nor-
mal source and the complete output of the left channel.
Volu m e L / R -
Determines the output level for the left/right channel delay.