7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
964
Chapter 17 Export
Output HDV/DVHS/MicroMV
If you want to record one of these MPEG2 formats:
Look under Edit > Control Panel > Site > System Settings > Inputs/Outputs > Video Outputs >
IEEE 1394 > MPEG2 Output Format to find out whether the desired format is selected.
The recorder must be set to the current Timeline and output format; otherwise an error message
will be issued.
In addition to the MPEG2 family (for example, HDV1), the frame rates and resolutions must also
match.
Before you start the recorder and begin recording, the Sequence on the Timeline must be ren-
dered in a continuous MPEG2 stream.
Rendering is performed only where necessary, such as at edits and wherever effects were applied.
At these locations, you will also see an image; otherwise the inlay will remain black.
During MPEG2 recording, there is no image in the inlay and no audio being output via the sys-
tem outputs. If possible, connect a video monitor and an audio monitor to the recorder.
Recording automatically stops at the end of the Sequence.
Output DVCPro 25
Change the default output from DV to DVCPro25 under Edit > Control Panel > Site > System Settings >
Inputs/Outputs > Video Outputs > IEEE 1394 > DV Output Format.
Avid Liquid
Chrome HD
Avid Liquid: Using Analog Outputs
If you operate
Avid Liquid
with an analog breakout box, you can also record the analog signals that
are output. However, analog recording and
recorder control work only in combination with an active RS-
422 interface (see
Avid Liquid
Product Manual). Without RS-422 control, you will have to start Time-
line playback and device recording manually. Analog recording cannot be combined with IEEE-1394
control.
DV Output
You can use
Avid Liquid Chrome HD
’s DV output(s) only if the media files of a Timeline Sequence
have been rendered in the correct format (either 1394: DV (avi/dif) or 1394: DVCPro (avi/dif)).
If the data was imported via DV, it can be output directly via a DV output. In other words, DV (avi) In
permits an immediate 1394: DV (avi) Out (native transfer).
However: DV (avi) or, for example, Uncompressed In to 1394: DVCPro Out is rendered.
To set the correct DV output format, go to the System Formats settings under Edit > Control Panel > Site
> System Settings > System Formats > Render Formats and select one of the 1394 formats.