7.0
Table Of Contents
- Liquid for Pinnacle Studio Users
- Manual Part 1
- Upgrading to Avid Liquid
- 1 Avid Liquid: Brief Overview
- 2 Initial Contact with Avid Liquid
- 3 EZ Capture
- 4 Album and Project
- 5 Collecting, Sorting, Viewing and Finding Clips
- 6 Importing Clips, Titles, Graphics and Stills
- 7 DVD Menus, Titles and Effects
- 8 Film Window and Timeline: Basics
- 9 Inserting Clips on the Timeline
- 10 Inserting/Deleting Clips on the Timeline
- 11 Trimming Clips on the Timeline
- 12 Moving Clips Horizontally and Vertically
- 13 Effects: Basics
- 14 Effects: Transitions
- 15 Effects: Clip FX (Video Effects)
- 16 Effects: Render or Realtime?
- 17 Timeline Settings
- 18 Audio: Basics
- 19 Fast Audio Fade-ins and Fade-outs
- 20 Making a Movie: Options
- 21 Recording to DV Tape
- 22 Burning Disks / Exporting Files
- 23 The Most Important Settings
- Manual Part 2
- 1 Recording from DV/HDV Video Tapes (Capture)
- 2 Comparison of Recording Instruments
- 3 Recording Clips with Mark-Ins and Mark-Outs
- 4 Recording or Logging Clips “on the Fly”
- 5 Automatic Scene Detection
- 6 Recording Audio: Stereo/Mono and Level
- 7 Naming and Numbering Clips while Recording
- 8 Recording/Digitizing Tips
- 9 Scene Detection in the Clip Viewer
- 10 Protecting and Muting Tracks
- 11 Trimming with the Trim Editor
- 12 Trimming Video and Audio: Split Editing
- 13 Moving Clips Horizontally and Vertically
- 14 Good to Know...
- 15 Effects: Working with Key Frames
- 16 Audio Scrubbing
- 17 The Audio Editor
- 18 Audio Mixer and Volume Lines
- 19 Output Mapping
- 20 Audio: Settings Tab
- 21 Recording Voice Over
- 22 Live Mixing of Audio Tracks
- 23 Sound Effects
- 24 Surround Sound
- Manual Part 1
92
STUDIO
LIQUID
Stereo output
Studio has no advanced configuration options.
The signal is output in two-channel stereo,
regardless of whether it’s to DV tape, to DVD or
exported to a file.
From clip to fader
The clip’s audio signal is routed to the Fader
belonging to the Tra c k on which the clip is posi-
tioned.
From fader to bus
Each Fader in the Audio Mixer outputs its sig-
nal(s) to an Output Bus, usually the Stereo Output
Bus.
From bus to output
In this case (Output Mapping tab), the signals on
the bus or busses are distributed to your system’s
“real” outputs: e.g. sound card, breakout box or
DV (IEEE 1394) output. The dots in the boxes
represent active assignments. Click the fields to
set or delete dots.
System settings
The Output Mapping settings are applied system-
wide, meaning they are accessed for each new
Sequence.
19 Output Mapping
Yo u c a n h av e a n y nu m b e r of “a u d i o Tra c k s” on the Timeline but at some point, all the audio signals must
(for example) end up on the left/right channels of the DV output.