7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
83
High Definition in Avid Liquid
HD Workflow: Adapting Settings
Before you decide to work with HD, here are a few tips on the workflow in Avid Liquid. There are three
basic stages:
1 Capture (EZ Capture, Logging Tool) -
What do you want to record? What can the player provide (some have different output options)?
Avid Liquid
automatically adapts to the input format (DV in).
Avid Liquid Chrome HD
: Go to Player Settings > Connections and select the exact same
format that the player provides.
2 Timeline: Sequences -
When creating a new Sequence, adapt the Timeline format to the digitized material with regard to
its frame rate (fps) and resolution (pixels, horizontal x vertical).
If in doubt, select the format that matches most of the existing clips and - very important - a for-
mat that your recorder can also record.
3 Record to Tape / Export to File... -
Edited MPEG2 material on the Timeline is rendered in an intact stream before output.
The recorder’s/camcorder’s recording format and the current Timeline Format must go together.