7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
15
Player Settings
Connections Tab
Use these functions to combine video and audio inputs and outputs of the editing system with the out-
puts and inputs of the connected players, recorders and live sources. Also select the remote control set-
tings for connected devices.
Begin by specifying (click on device name) in the left field to which recorder, player or live source the
subsequent settings are to apply.
Communication Port (IEEE or RS 422) page 15
Video and Audio Inputs page 16
Video and Audio Outputs page 16
Communication Port
If you have connected a controllable DV device (camera or recorder/player) via the IEEE 1394
interface (as opposed to a non-controllable live source), click the device name or i.Link DV/1394
in the left-hand box and check that IEEE 1394 appears as a Communication Port.
This selection refers to the device that was selected in System Settings > Inputs/Outputs > Video inputs (in
case that more than one device is connected).
With
Avid Liquid
RS 422: select the COM port (serial interface) to which the 232-422 cable is
connected.
If you wish to use image and sound material via the Live Player (i.e. not controllable), make sure
the following list options are selected. In the list Video Input: Liquid: IEEE 1394; in the list Audio
Input: IEEE 1394, or, provided your product version supports this, the appropriate analog inputs.
This restriction does not concern
Avid Liquid
systems equipped with RS 422 interface. You
can use analog or digital inputs in combination with RS 422 control.
None - Choose this option if you want to control the player/recorder directly on the device itself
and not via Avid Liquid.