7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
123
Logging and Digitizing (Capture)
Edit Buttons
These buttons (in the default configuration, located in the two vertical toolbars next to the inlay) allow
you to define clips.
Mark-In
Sets the mark-in point at the current Playline position. You can set the mark-in point “on the fly” (during
playback), or use the player commands to move to the point for the mark-in. If the mark-in point is
already defined when you click this button, it moves the mark-in to the new position.
At this point the video image in the form of a Picon (miniature) is used as a visual reference. For a pure
audio clip, a loudspeaker icon serves as the Picon.
See also “Views” on page 238.
Mark-Out
Sets the mark-out point at the current Playline position. You can set the mark-out point on the fly (dur-
ing playback), or use the jog/shuttle commands to move to the point for the mark-out. If the mark-out
point is already defined when you click on this button, it moves to the new position. At this point the
video image in the form of a Picon (miniature) is used as a visual reference.
If you set a mark-in at a position after the mark-out, the mark-out is deleted. If you set a mark-out at a
position before the mark-in, the mark-in is deleted.
The frames which designate mark-in and mark-out points are included in the total duration.
Clear Mark-In and Mark-Out
Removes both the mark-in and mark-out points, if set. If only one is set, removes it.
Clear Mark-In
Removes the mark-in point.
Clear Mark-Out
Removes the mark-out point.
To clear all timecode fields (except Position), hold the SHIFT-KEY while clicking Cancel.