7.1

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Chapter 6 Input
Multicam Capture
If - and only if- you can use tapes with synchronized timecodes (i.e. tapes with identical TCs) for a Multi-
cam edit, assign a camera number here to each of the tapes used. Important: The Reel name must remain
the same for all tapes of the Multicam edit.
For detailed information on the Multicam function, refer to the Edit chapter: “Multicamera Capture in
the Logging Tool” on page 494.
If your tapes do not have identical TCs, it is not necessary to assign camera numbers.
Audio Tab
Here you can control and adjust incoming audio signals.
For a description of the functions and elements of the faders and audio peak meter, see “Au di o To o l” on
page 806.
Audio tab (sample)
Destructive and Non-Destructive
When an incoming audio signal is digitized or saved without any signal-related changes, the procedure is
“non-destructive”. Modifications such as level changes are recorded separately as parameters and are not
used until playback. (See “Playback Level” on page 132.) The advantage is that the Media File remains
unchanged.
In the destructive procedure, the signal is already modified before being saved to the storage medium.
The only way to the original is via the original itself.