7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
133
Logging and Digitizing (Capture)
Media Tab
WARNING: The Quality Ranks do not affect the image quality of captured video. Your clips will not look
better if you raise the Quality Rank, but you may easily experience problems with “disappearing” media files
if you use this function. For more information, refer to the High Definition chapter.
Quality rank -
leave this setting at its Normal default unless you have specific reason to change it.
CMS/Local -
this selection is only for systems configured for Liquid Editing for Workgroups or Vortex net-
works. You can either save captured data to a local storage or via a CMS/MDC (Content Manage-
ment System/Meta Data Controller) to a network storage location. For local storage, check the
Media Management Settings (Edit > Control Panel > Site...). Other network-related settings
should be left to the network administrator.
Send Clips To Timeline (Direct Insert)
This function allows you to compile a rough cut directly from the Logging Tool, either with already cap-
tured (digitized) clips, or with logged-only clips. A non-digitized Sequence can then be digitized by
means of Batch Digitize (page 292).
This button is either activated (icon highlighted) or not.
1 Click the button repeatedly to toggle between insertion in Film Style (yellow icon), insertion in
Overwrite Style (red icon) and deactivate insertion (see also Edit Styles on page 378).
2 To specify the Tr a c k s on which the clip should be inserted, activate the Tra c k s you want using the
correct Mapping (page 375).
Yo u c an d r ag a l l Track Label s with the mouse to specify certain destination Tra c k s for certain clip
types.
3 Open the Master tab and define an insert point
either by means of a mark-in
or at the position of the Playline (important: a mark-in has priority over the Playline position).
Yo u c a n a l s o s e t a m a r k - o u t .
4 Start logging/digitizing using any one of the methods described.
5 The clip is inserted on the Timeline as soon as it has been completely logged/digitized.
The clip is also stored in the current selected Rack.
If you exit the Logging Tool while Send Clips To Timeline is activated, it is then deactivated.