7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
221
The Project
Toggling between Master Viewer and Source Viewer
Because the Project takes the place of the Source Viewer, you can manually switch the Master Viewer to
the Source Viewer and back again by clicking the button above the video inlay. They are also switched
automatically:
When you scrub on the Timeline, the inlay changes to the Master Viewer.
When you double-click an object in the Project, the inlay switches to the Source Viewer.
Timecode fields, lists of clips and Sequences, and toolbars also change. If you want to keep working with
the Insert Arrow, add it to the Viewer’s toolbar in Source mode.
Since it isn't possible to scrub in the inlay in Source mode, you can drag the clip directly to the
Timeline (i.e. without pressing the
CTRL key, as is standard procedure in standard view with
Master and Source Viewer both visible).
In this view, the Insert Arrow and the Edit Style selection tools between the Master and the Source
Viewer are inaccessible. Therefore, two function symbols can be found on the Timeline tool bar
(shown on the left). Use them to insert clips in either Film Style or Overwrite Style. See also
“Overwrite Style” on page 379 and “Film Style” on page 380.
Tip: You can assign the tool symbol pictured on the left to a keyboard key (Edit > Control Panel > User >
Keyboard > Special tab, separately for the Timeline/Master Viewer and Source Viewer modules). This will
make it easier to toggle between the Viewer inlays. The key will also apply in the Fullscreen display.