7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
315
Media Management
Identifying a Media File
What makes a file a Media File from the point of view of Media Management?
Still Media File
This type of Media File is sufficiently defined by a Reel name and the name assigned when the file
was created.
The following metadata identifies a Streamed Media File:
Reel name -
The name of the Reel must
be specified for logging and digitizing (page 119). An unmistakable
and unique Reel name is especially important in a network environment.
If you are wondering what a “unique” Reel name is and how to come up with one as easily as possible,
here is a suggestion: Use the day’s date in the Reel name:
For example, Reel01 12-09-02 (or a four-digit year to avoid the next millennium bug).
If you digitize live, you are certain to have a unique name if you combine a realtime TC (24-hour format!)
and the day’s date. In a network, you can achieve further clarity by appending the editor’s initials. For
example, Reel07 12-09-02 CPR.
Clip-in -
Timecode of the first frame in a clip.
Unlike the mark-in, which can be moved around within the clip, the clip-in cannot be changed.
A Media File with a different clip-in (where all the other metadata is the same) is a different
Media File.
Clip-out -
Timecode of the last frame in a clip.
Unlike the mark-out, which can be moved around within the clip, the clip-out cannot be
changed. A Media File with a different clip-out (where all the other metadata is the same) is a dif-
ferent Media File.
Stream type (video, audio, still) and a stream ID (see the section on naming Media Files,
page 316).
With this information, Media Management can assign clips and Media Files to one another. The “match-
back” functionality searches all the specified directories. If a Media File is found that matches a clip, the
clip can be played (see also Matching Clips to Media Files on page 326).