7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
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Chapter 8 Administration
System Formats and Codecs in Avid Liquid
This section provides information about the system formats and codecs available in Avid Liquid.
System Formats
Analog and digital video and audio material can be recorded, stored, edited and transmitted in many
“formats”. The term “format” has no very precise definition and is confusing because of the many ways
in which it is used. The “formats” that you work with as a Avid Liquid user primarily depend on your
editing system.
File Formats
File Formats can be identified by the file name extension on the Media Files. But the extension not always
gives away the actual content of the file. If, for example, the file extension is *.avi, the file actually may
contain DV or MPEG essence data - two different video media formats. In contrast, “examplefile.2vuy” is
a pure video media file, and the extension clearly indicates that fact.
Some file formats, such as AVI and MXF are so called “wrapper formats”. You can put video and audio
files inside an AVI wrapped filed when you, e.g., fuse a Sequence.
For a list of supported formats on import, see “What Can Be Imported?” on page 152.
For information on supported export formats, see “Export to File” on page 951.
Information on capture, render and fuse formats or codecs can be found at the end of this chap-
ter (page 321).