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Chapter 9 Edit
Setting Mark-Ins and Mark-Outs
To define a specific insertion point or exit point on the Timeline, first set a mark-in or mark-out. To do
so, position the Playline at the corresponding position on the Timeline and click the Mark-In/Mark-Out
button. It makes no difference whether you position the mark-in or mark-out first. If mark-ins or mark-
outs already exist, they are replaced.
Fit Sequence to Mark In and Mark Out
This button lets you toggle between displaying the entire Sequence for the entire available length of the
Timeline and the area between the mark-in and mark-out. The Timeline’s zoom function always toggles
between these two views.
Inserting at the Playline
If no mark-in or mark-out is set, the clip is inserted at the Playline.
Moving mark-ins and mark-outs
See page 395.
Mark-in and mark-out frames are “inclusive”
See page 395.
Mark-in and mark-out priorities
See page 396.
Additional Functions and Elements
The Master Viewer has many functions in common with the Clip Viewer and Source Viewer. The func-
tions not listed here are described there (page 263).
Position Bar
To v ie w a Sequence, scrub the position bar (you can also scrub in the Master Viewer’s inlay like with all
viewers). For general hints on how to use the position bar, see “Navigation Using the Position Bar” on
page 265.
During scrubbing, the Playline moves and the Timecode Bar is adjusted to reflect the current timecode
position. See also “Mouse Navigation” on page 381.
You can use the arrow buttons on the keyboard or the mouse wheel to jog the inlay frame-by-frame. Roll
the wheel away from you to jog forward, roll it toward you to jog backward.
The position bar shows markers and the mark-in and mark-out points set on the Timeline.