7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
514
Chapter 10 Finish
Working with the Preview Image
Instead of loading a clip in the Effect Editor, you can work with the preview images (the gray and blue
panels that appear in the Editor Inlay when no clip is currently loaded). This can be helpful for preparing
and trying out effects because the volume of data to be calculated is much smaller, thus speeding up the
preview. (See also “Effect Viewer” on page 516.)
Effect Editor Full Screen Mode
Especially if you work with a dual monitor setup, it makes sense to set the Effect Editors to Full Screen
Mode. The left monitor now displays the video inlay in almost complete full page size; the tool buttons
are arranged in freely movable windows on the right screen.
To sw itch to Full Screen Mode, click the indicated tool symbol in the toolbar of the active Effect Editor. To
leave the Full Screen Mode, click the symbol again.
Full screen mode is not usually available for realtime effect editors.