7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
625
Effects and Effect Editors
Effects and Effect Editors
This section contains a complete listing of all the software-based realtime Effect Editors in Avid Liquid.
We have not attempted to list all the standard effect parameters, such as Size and Position, or other
parameters that are self-explanatory.
All CPU/GPU realtime effects can be found on the Library tab, in the Realtime Clip FX and Real-
time Transition FX folders.
These folders contain the Racks Editors (all effect editors), Presets (editor fx with certain pre-
defined settings) and Audio (realtime audio fx).
Realtime-capable Pinnacle Hollywood FX Editors are stored in the Realtime FX folders; HFX
presets can be found in the Realtime Transition FX> Presets folder.
Commotion Clip FX (non-realtime; described under “Commotion Clip FX” on page 643) are
located in the Commotion Clip FX folder.
For a detailed description of the basics of applying effects and setting parameters, see the preceding sec-
tion and the “Finish” chapter on page 502. This section provides a quick introduction.
Preliminary remarks page 626
Realtime Clip FX page 630
Realtime Transition FX page 638
PlugIn FX page 641