7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
722
Chapter 12 Commotion Clip FX
You can specify the Max Amplitude (IRE) value in the range 100 to 120 IRE units. The default value of
110 IRE units provides a safe, conservative starting point. Reducing the level to 100 can significantly
change the appearance of the image. Increasing the level to 120 pushes the maximum allowable level and
may produce undesired results.
Field Blend
Field Blend removes field information from the frames in the selection range using one of two methods:
Duplicating one field over the other
Interpolating the Odd and Even fields of each frame to make them identical.
The Field Blend effect is different from the Interlace/Deinterlace effect in that it actually effects the fields,
creating a new frame in place of the current frame; Interlace/Deinterlace creates a separate clip based on
interlacing or deinterlacing of the current clip.
Field Swap
Field Swap swaps the order in which fields are rendered for a layer. This effect can save you time if you
discover your material has been rendered with its fields in the incorrect order, or if you want to create the
effect of mis-rendered footage.
The only option in the Timeline for this effect is Swap. When Swap is selected, the field rendering order is
swapped; when it isn’t, the order is unchanged. For special effects purposes, you can animate the Swap
parameter.