7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
730
Chapter 13 Special FX
Primary and Secondary Correctors (4)
You can apply the three correctors individually or combine and apply them consecutively (from left to
right).
Primary Color Correction (left) - Permits basic color editing; for example, you can quickly correct
a color cast or change the contrast (page 752).
Six Vector Color Correction (center) - Permits the selective adjustment of six defined color areas
(red, magenta, blue, cyan, green, yellow; page 764).
Selective Color Correction - Permits the selection of up to 15 specific color areas for a precise color
correction including ColorWash and “Garbage” (page 765).
Tools (5)
The area to the right of the correctors contains:
A Legalizer that can be activated or deactivated. If activated, it will show you when the permissi-
ble signal-related threshold has been exceeded in the diagnostic displays (Ve c to r, Wa ve , etc.;
see page 751).
A Channel Selector that permits the individual selection and display of Y/RGB channels
(see page 751).
A selection list containing color correction Settings that can be applied repeatedly (see page 751).