7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
754
Chapter 13 Special FX
3 Activate the Set Split Size function to change the size of the Reference Source displayed within the
correction inlay. The orange frame indicates its dimensions.
Drag the mouse pointer from the corner or side from which it should be displayed.
4 Yo u c a n d i s p l a y o t h e r Reference Sources as described under step 1. Or you can select the Last
Source or Next To Last Source from the center list box above the diagnostics inlay. These options
refer to the edited clips.
In order to display the Reference Source as a frame beside the correction image, select Reference from the
left-hand list box above the diagnostics inlay instead of a diagnostic display.
The position bar below the diagnostics inlay refers to the currently active Reference Source, thus allowing
you to navigate within this clip.
Parameters
This section describes the individual standard ranges and parameters of Pri-
mary Color Correction.
You can modify RGB and luminance in three overlapping areas (Gain,
Gamma, Black) either separately or with R, G and B linked (see also Linked
Control on page 753).
Hue and Saturation can also be configured either separately or in combination.
The effects of these sliders are best illustrated in the Wa v e f o r m and Cube Dis-
plays (preferably with the RGBspace test image; see “Working with the Vector
and Waveform Diagnostic Displays” on page 737).
You can activate or deactivate the parameters by means of the square on the
right in the Primary Color Correction title bar.
Be sure to keep an eye on the permissible maximum and minimum levels (verify in the Waveform or Vec-
tor Display) if, for example, you work for a TV station.
Primary Color Correction
(from top to bottom:
Gain, gamma, black,
saturation, hue)