7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
770
Chapter 13 Special FX
Operating Variants
Color Isolation Using the Mouse
You can also isolate colors directly in the inlay or in the Vec t or D i sp l ay using the mouse. First you must
have selected at least one Vec t or (see “Defining Vectors - Selective Color (A)” on page 766).
Then activate Color Isolation by clicking the button displayed and position the mouse pointer on the
inlay or Vec tor D i sp l ay. The display contains the selection range, which appears as a larger or smaller blue
spot. You can change the shape, position and size of this range:
Drag the mouse pointer over the inlay or display while holding down the left, right or center (wheel)
mouse button and the following keys:
Luminance range -
Hold down the
CTRL key and
left mouse button to move the lower limit;
right mouse button to move the upper limit;
center mouse button (or mouse wheel) to move the center of the luminance range.
Suitable diagnostic display: Cube.
Saturation range -
Hold down the
SHIFT key and
left mouse button to move the lower limit;
right mouse button to move the upper limit;
center mouse button (or mouse wheel) to move the center of the saturation range along the
radius.
Suitable diagnostic display: Ve c to r.
Hue range -
Hold down the
ALT key and
left or right mouse button to enlarge/reduce the hue range (segment);
center mouse button (or mouse wheel) to rotate the color angle.
Suitable diagnostic display: Ve c to r.
Move the center -
You can move the center of the selected color along the C
r
and C
b
axes. The selection range in the
Ve c to r D i sp l a y moves accordingly.
Selecting a Target Vector
Using the Pipette, you can select a color from a Reference Source (page 753). Note: This selects the target
Vec t or , i.e. the color to be achieved as a result of the correction. The lower of the two color fields then
changes to the color defined in the Reference Source.
Follow the procedure described in “Defining Vectors - Selective Color (A)” on page 766.