7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
781
Timewarp Editor
Interpretation of the Diagrams and Examples
The upper diagram maps the chronology of the source clip (vertical axis and position bar to the left)
against the chronology of the destination clip (horizontal axis and position bar). In its initial state when
you call a clip that has not yet been edited, the following applies:
Source clip chronology = destination clip chronology.
The straight red line in the display represents this state: The mark-in and mark-out points of the source
and destination clips are identical with regard to timecodes. Each individual frame in the source clip is
mapped on the corresponding destination clip.
In order to understand all the Timewarp functions, it is important to know that “position” in the spatial
sense (as applied to a video tape) has nothing to do with the position bars. These bars deal with time
.
The lower diagram indicates the speed (vertical) throughout the destination clip time axis (horizontal).
In the initial state, the straight red line runs horizontally at a height of 1.0 (100 percent), i.e. in a constant
positive play direction.
Some examples:
Linear Slow Motion at Half the Standard Speed
For linear slow motion at 50%, the destination clip becomes twice as long as the source clip. The speed
remains constant, which is why it is called “linear slow motion”.
Linear slow motion at 50% play speed (factor of 0.5)
A Key Frame is set at the first frame of the source clip that is assigned a speed parameter of 0.5. The
resulting straight blue line ascends less steeply than the standard red line.
< Duration source clip >
< Duration of dest. clip (2 x source clip) >