7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
789
Timewarp Editor
Reverse Playback (Linear)
Clips played in reverse have speed factors with a minus sign: -1.0 means the source clip is played at the
standard speed but from the mark-out to the mark-in. Reverse slow motion is also possible (e.g. “-
0.45”).
1 Set a mark-in and mark-out on the Timeline clip that you want to edit.
Make sure you don’t set a mark-in and mark-out on the first or last frame of the clip (i.e. the clip-
in and clip-out of the Media File).
2 Drag the Timewarp Editor to the clip and open the Editor as described (page 777).
3 Position the Playline on the mark-in of the source and destination clips.
4 Enter the appropriate speed factor with a minus sign in the field with the blue flag.
See also “Render Options” on page 790.
Alternate variant: Set the mark-in after the mark-out on the source clip position bar. This also causes a
reversal of the source clip.
5 Set a Key Frame. A straight blue line with the corresponding gradient appears in the diagram.
6 Exit the Timewarp Editor and trim the clip to the new length on the Timeline.
Freeze (Still)
Create a still (freeze) as follows:
1 Drag the Timewarp Editor to the clip and open the Editor as described (page 777).
2 In the source clip, scrub to the frame you want to freeze.
3 Enter a speed factor of 0.0 in the field with the blue flag.
See also “Render Options” on page 790.
4 Set a Key Frame. A straight, horizontal blue line appears in the diagram.
5 Exit the Timewarp Editor and trim the clip to the new length on the Timeline.
Yo u c a n a l s o g e n e r a t e a Freeze (faster and more easily) using a Linear Timewarp (page 775).