7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
790
Chapter 13 Special FX
Adjust to Length (Fit to Fill)
Instead of specifying a speed factor in the editor, you can define a length for the destination clip, e.g. if
you want to fill a gap of a specific duration on the Timeline.
1 Drag the Timewarp Editor to the appropriate clip.
2 Trim the clip to the appropriate length. Shortening it means accelerating the clip and lengthening
it means slow motion. Doubling the length = half speed (0.5).
3 If you wish to edit this clip further, open the Timewarp Editor.
Render Options
You can activate a number of options when rendering Timewarp effects. You will find these options in the
list box above the source clip inlay.
Render Options for Slow Motion
For play speeds below a factor of 1.0 (regardless of whether the value is positive or negative), you have
four options for rendering the decelerated material. If the source material was recorded on:
interlaced Video (60/50 fields/second with NTSC/PAL), use Cut Fields or Mix Fields.
film or progressive video (24/25 frames/second), use Mix Frames or Cut Frames.
For the best results, we recommend that you render short test clips using the different options. The fol-
lowing generally applies:
Mix Fields (for interlaced video):
Motion is played back more smoothly but is not as sharply focused. In most cases, this is the best
choice.
Cut Fields (for interlaced video):
Provides a sharper focus but motion can be slightly jerky.
Mix Frames (for film/progressive video):
Provides smooth motion but is less focused.
Cut Frames (film/for progressive video):
Provides sharp focus but motion is often jerky.