7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
838
Chapter 14 Audio
Working with Insert Effects, Send Effects and Busses
You can also edit audio effects using the Audio Editor.
The concept page 838
Insert effects page 839
Send effects page 840
The Concept
You’re probably familiar with the concept from hardware audio mixers: All have at least one three-band
equalizer with send-effect and effect-return connections plus the associated faders, whereas high-end
models have many more options. The Avid Liquid Audio Mixer can also do more than just adjust the vol-
ume level and pan/balance; it also integrates audio effects. In this context, we make a distinction between
Insert Effects and Send Effects. The only difference is in their application; they are actually the same VST-
compatible audio plugin effects (“Avid Liquid Plugin Audio Effects (VST)” on page 875).
Each fader (you can also call them “channels”) represents a percentage of the total Timeline audio for
your Sequence. All the audio clips on a specific Timeline Track are routed through the assigned faders, as
illustrated here in a very simplified form:
One fader per track: All stereo audio clips on A2 are edited with fader A2
In this simplified configuration, the Audio Mixer is configured only to adjust the volume. Insert effects
will be added in the next section.