7.1

857
Audio Postproduction and Audio Effects
 Add to all active Tracks in marked range -
This helps to distribute Dissolves and Crossfades over a wide area, even the whole Sequence. You
only need to set a mark-in and a mark-out to define the horizontal range, and to activate or deac-
tivate the Tr a c k s for the vertical selection. Note: Dissolves and Crossfades can only be placed on
active Tr a c k s . Mark-in and mark-out must be placed one frame before and after the first and last
clip of the range if you want Fade-In and Fade-Out.
5 Click OK (checkmark) to insert the dissolve at the editing point.
Without Option
If you wish to continue working with the settings made, clicking on Add Dissolve without option inserts a
dissolve with the parameters last set at the editing point without further prompt.
If a video edit is located at the editing point on an active Tr ac k , a video Dissolve is included; if an audio
edit is located at the editing point on an active Tra c k , a cross fade is included. Combinations are possible.
Audio Mix Automation
In the Audio Editor, Avid Liquid lets you mix down one or more channels live - and not just the volume,
but also panning, including surround panning. By linking faders, you can edit multiple Tra c k s or chan-
nels simultaneously.
Start by activating the Audio Mix Automation function of the Tr a c k s to be mixed by clicking on the box
underneath the Fader. See also “The Audio Mixer” on page 812.
The box at the bottom of each Fader glows red to indicate that the Tra c k has been activated. This selec-
tion has priority over the activation or deactivation of Tr a c k s in the Timeline. Protected Tr a c k s cannot be
activated for audio mix recording.
The following instructions may also be applied to panorama settings. In this case activate the appropriate
rubberband view on the Tra c k (see also Rubberbanding on page 820).
You can use a MIDI port to connect fader consoles; this is described in more detail on page 860.