7.1
Table Of Contents
- Avid Liquid Installation
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- EZ Capture
- Logging and Digitizing (Capture)
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- Commotion Clip FX
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Titler
- DVD Authoring
- Export
- Record to Tape
- Export to File
- Burn to Disc (VCD, SVCD, DVD)
- Customize Avid Liquid
- Glossary
- Index
945
Record to Tape
Record
To transfer a Sequence to a connected recorder, click the Record tab and select from among the options
listed below.
The Record to Tape command requires a recorder that can be controlled via IEEE 1394 (i.Link DV) or RS
422.
If you don’t have a controllable recorder connected, start playback from the Timeline and operate the
recorder manually (without the Record to Tape module).
1: Select Recording Range and Device
1 Entire Sequence or Mark-In to Mark-Out, depending on whether you want to transfer the entire
Sequence or the portion marked on the Timeline by a mark-in and mark-out.
2 Check whether the device specified in the drop-down menu in the lower left is the one to which
you want to output the Sequence. If not, select another device (see Player Settings).
3 Render yellow slices -
Activate this option to render all as yet unrendered realtime effects and ranges (slices) on the
Timeline highlighted in yellow prior to output
. Only rendered realtime passages can be output
via DV (IEEE).
4 Used Video Output -
The Used Video Output list is important for the correct synchronization of the connected master
recorder. Depending on the product and breakout box, select one of the following:
- SDTI, IEEE 1394, Analog (if connected via compressed video outputs)
- Y/C, CVBS, YUV, SDI, Digital (if connected via non-compressed outputs).